Showing posts with label Sam Rockwell. Show all posts
Showing posts with label Sam Rockwell. Show all posts

Wednesday, September 21, 2011

THE SITTER (2011) - Red Band TV Spot



Official Synopsis: When the world’s most irresponsible babysitter takes three of the world’s worst kids on an unforgettable overnight adventure through the streets of New York City, it’s anyone’s guess who’s going to make it home in one piece. THE SITTER is a new level of twisted and debauched hilarity from the director of Pineapple Express, starring Superbad’s Jonah Hill.

Genre: Comedy

Starring: Jonah Hill, Sam Rockwell, Ari Graynor, Erin Daniels

Director: David Gordon Green ("Pineapple Express")

Screenplay: Brian Gatewood, Alessandro Tanaka

Not Yet Rated

Release Date: December 9, 2011



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Sunday, August 7, 2011

THE SITTER (2011) - Red Band & Green Band Trailer



RED BAND TRAILER - Green Band Trailer at the end of this post.

Official Synopsis: When the world’s most irresponsible babysitter takes three of the world’s worst kids on an unforgettable overnight adventure through the streets of New York City, it’s anyone’s guess who’s going to make it home in one piece. THE SITTER is a new level of twisted and debauched hilarity from the director of Pineapple Express, starring Superbad’s Jonah Hill.

Genre: Comedy

Starring: Jonah Hill, Sam Rockwell, Method Man

Director: David Gordon Green ("The Pineapple Express", "Your Highness")

Screenplay: Brian Gatewood, Alessandro Tanaka

Not Yet Rated

Release Date: December 9, 2011 (US)




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Friday, July 29, 2011

In Theaters : COWBOYS & ALIENS (2011)

Official Synopsis : 1875. New Mexico Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It's a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. -- (C) Official Site

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Sunday, June 12, 2011

COWBOYS & ALIENS - Extended TV Trailer



The new trailer for "Cowboys & Aliens" was first showed as an exclusive sneak peek during this year's Spike TV Awards. It shows plenty of fresh footage in addition to everything we've already seen from the trailers and TV Spots. For those hearing about this movie for the first time, this is a no-nonsense mix between old-school western and alien invasion sci-fi, directed by Jon Favreau ("Iron Man 1 & 2"), based on a graphic novel, produced by Steven Spielberg and starring Daniel Craig, Harrison Ford, Olivia Wilde, Paul Dano and Sam Rockwell. The movie opens on July 29, 2011, in the US.


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Friday, February 25, 2011

Well met by Moon-light

The view from Moon.
As you might imagine, I rarely have time to go to the movies - most of the films I see now I catch late at night, via those little red envelopes from Netflix (curse them for trying to get me to stream!).  This week turned up a genuine gem - Duncan Jones's Moon from 2009, a small-scale throwback to the paranoid SF of the 70's, featuring an equally small-scaled, but quite moving, performance by Sam Rockwell.  The movie takes place on an isolated mining operation on the dark side of (naturally) the moon.  The base's lone occupant Sam (Rockwell) is responsible for mining Helium-3 from the lunar surface - where, actually, it's theorized to be abundant - and shooting it back to Earth for use in the booming nuclear fusion industry (yeah, right).

Sam's at the end of a three-year stint, with only the HAL-like computer "Gerty" (voiced not by Drew Barrymore, which would have been a nice touch, but by Kevin Spacey) alleviating the isolation of his long stay in solitary; to make matters even worse, the live communication link to Earth has been down since who knows when.  And clearly Sam is beginning to show signs of strain; he's prone to rambling discourses to himself, and at one point hallucinates that there's a young girl loose on the base.

While servicing one of the roaming He-3 "harvesters," he has a similar, seeming hallucination - is that another astronaut he sees wandering across the lunar surface?  Distracted, he suffers a crash against the harvester, and passes out - only to seemingly re-awaken back in the base, under orders to never venture outside again.  But why?  What's out there? (SPOILERS AHEAD.)

If Moon seems at first to be prepping for a Solaris-style head trip, it instead settles into a low-key, but absorbing, groove as a kind of Silent Running-meets-Blade Runner thriller - one in which the machines and the replicants turn out to be the heroes, btw. For I suppose it's giving away no surprises at this point to reveal that Sam isn't what he appears to be; he's a clone - the latest, apparently, of many that "the company" has used to maintain its isolated moonbase. Once these corporate overlords get wind of Sam's discoveries, however, they announced a "rescue mission" is on its way - one that the "Sams" realize is more like a search-and-destroy mission.

From then on, Moon only lightly touches on the themes it seems to have raised regarding the humanity of clones - although it does grow steadily more affecting, as the Sams realize that everything about them (their memories, their ideas, even their "relationships" back home) has been implanted by the company.  I felt, in fact, that the movie could have pushed a little harder on this most resonant of its themes - that all of us today depend on corporations for our identities.  Still, I was happy to settle for the variant on The Great Escape that Moon became, as the Sams attempt to ingeniously elude their corporate fate.  I don't want to overrate this worthy little project - it's essentially a good first feature (by the talented Duncan Jones).  But it's certainly worth catching on Netflix.  And the fact that it was ignored by the Oscars almost feels like a seal of approval (and another reason to ignore that silly telecast).