Showing posts with label TV5. Show all posts
Showing posts with label TV5. Show all posts

Wednesday, September 7, 2011

GMA Network strengthens nationwide ratings with 35% market share

GMA NEWS:

Nationwide ratings leader GMA Network Inc. (GMA) marked another winning performance this August as it further increased margins over mainstream competitor channels.

Full August data (August 28 to 31 based on overnight readings) from the more widely recognized ratings service provider Nielsen TV Audience Measurement showed that GMA clobbered long-time rival ABS-CBN by scoring 35 household audience share points, or a 4.1-point margin over the latter's 30.9 points. TV5, meanwhile, finished the month with only 16.1 share points - short of even half of GMA's performance.

The lead of 4.1 points means that GMA had almost 155,000 more TV households from all over the country tuned in to its programming. Using an assumption of five viewers per household, the lead translates to GMA having about 774,000 more viewers over ABS-CBN.

Compared to TV5, amid the station's aggressive ads and promo, GMA has about 709,000 more TV households, or an estimated advantage of roughly 3.5 million more viewers.

As always, GMA is ahead in the significant areas of Total Urban Luzon and Mega Manila, comprising bulk of total television households nationwide at 77 percent and 58 percent, respectively.

GMA's total day performance in Total Urban Luzon scored 38.8 share points, higher by double digits compared to ABS-CBN's 26.1 points and TV5's 17.1 points.

The margin of 12.7 points over ABS-CBN means that GMA was the preferred channel of about 368,000 more households, and that GMA may have almost 2 million more viewers over competition. Meanwhile, the 21.7-point lead over TV5 translates to an estimated 630,000 more households, and can reach about 3 million more viewers for GMA.

In viewer-rich Mega Manila, GMA remains unmatched with 39.5 share points, again higher by double digits compared to ABS-CBN's 24.8 points and TV5's 17.8.

GMA won more than 300,000 more households, or over 1.6 million more viewers compared to ABS-CBN, using an average of five viewers per TV household. Compared to TV5, GMA had nearly half a million more households, and more than 2.4 million more viewers in the said area.

GMA was clearly dominant in the list of overall top programs in Urban Luzon and Mega Manila. Longest-running noontime variety show Eat Bulaga, family-oriented primetime soap Munting Heredera, and pioneering "epicserye" Amaya were the top three programs in the said areas.

CONTINUE READING FROM ORIGINAL [SOURCE] 
Information Courtesy of GMA News

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

GMA Network strengthens nationwide ratings with 35% market share

GMA NEWS:

Nationwide ratings leader GMA Network Inc. (GMA) marked another winning performance this August as it further increased margins over mainstream competitor channels.

Full August data (August 28 to 31 based on overnight readings) from the more widely recognized ratings service provider Nielsen TV Audience Measurement showed that GMA clobbered long-time rival ABS-CBN by scoring 35 household audience share points, or a 4.1-point margin over the latter's 30.9 points. TV5, meanwhile, finished the month with only 16.1 share points - short of even half of GMA's performance.

The lead of 4.1 points means that GMA had almost 155,000 more TV households from all over the country tuned in to its programming. Using an assumption of five viewers per household, the lead translates to GMA having about 774,000 more viewers over ABS-CBN.

Compared to TV5, amid the station's aggressive ads and promo, GMA has about 709,000 more TV households, or an estimated advantage of roughly 3.5 million more viewers.

As always, GMA is ahead in the significant areas of Total Urban Luzon and Mega Manila, comprising bulk of total television households nationwide at 77 percent and 58 percent, respectively.

GMA's total day performance in Total Urban Luzon scored 38.8 share points, higher by double digits compared to ABS-CBN's 26.1 points and TV5's 17.1 points.

The margin of 12.7 points over ABS-CBN means that GMA was the preferred channel of about 368,000 more households, and that GMA may have almost 2 million more viewers over competition. Meanwhile, the 21.7-point lead over TV5 translates to an estimated 630,000 more households, and can reach about 3 million more viewers for GMA.

In viewer-rich Mega Manila, GMA remains unmatched with 39.5 share points, again higher by double digits compared to ABS-CBN's 24.8 points and TV5's 17.8.

GMA won more than 300,000 more households, or over 1.6 million more viewers compared to ABS-CBN, using an average of five viewers per TV household. Compared to TV5, GMA had nearly half a million more households, and more than 2.4 million more viewers in the said area.

GMA was clearly dominant in the list of overall top programs in Urban Luzon and Mega Manila. Longest-running noontime variety show Eat Bulaga, family-oriented primetime soap Munting Heredera, and pioneering "epicserye" Amaya were the top three programs in the said areas.

CONTINUE READING FROM ORIGINAL [SOURCE] 
Information Courtesy of GMA News

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Monday, September 5, 2011

NTC to GMA7, TV5: SkyCable signals clear, of high quality

INQUIRER:

SkyCable, the country’s leading cable TV provider, continues to provide high-quality signals for all channels in its roster, even those of rival broadcast networks, the National Telecommunications Commission (NTC) said.

This comes despite past accusations that SkyCable had sabotaged the broadcasts of rivals of its parent firm, ABS-CBN Corp.

In a recent report, the NTC’s National Capital Region (NCR) office said the signal of GMA Channel 7 that SkyCable transmits was “found to be clear and of high quality.”

“We strive to ensure that all channels SkyCable airs are at the best quality possible, and we are happy that the NTC report validates this,” SkyCable marketing head Ray Montinola said.

“We also conduct surveys among our cable subscribers to confirm that our signal quality is consistent and acceptable for all channels,” he said.

The NTC inspection stemmed from a request made by SkyCable for the regulator to conduct an investigation on the signal quality of GMA Channel 7, ABS-CBN’s chief rival, which is being transmitted by SkyCable to its Metro Manila subscribers.

The inspection, ordered by NTC Deputy Commissioner Delilah Deles, was done at the company’s head-end facility located in Barangay (village) Little Baguio, San Juan City.
Earlier, the NTC cleared SkyCable in a signal interference suit filed by Manuel V. Pangilinan’s Associated Broadcasting Corp. (ABC), operator of the TV5 network.

TV5 had publicly accused SkyCable of interfering with TV5 transmissions, particularly in Cebu City and nearby areas.

Following an inspection, the NTC found that TV5’s poor signal quality, resulting in “double-image” reception, was a result of reflected signals from the nearby mountains of Busay and Bagbag.

Further tests made in another cable TV provider (Destiny Cable) located at Paknaan, Mandaue City, showed a similar result of a double image effect from TV5. The technical engineering team from NTC Cebu and representatives from TV5 and SkyCable participated in the joint investigation.

“The cable TV provider is not responsible for the unexplained poor broadcast transmission signal of TV5 in Cebu, as earlier alleged by the TV network,” SkyCable said.

CONTINUE READING FROM ORIGINAL [SOURCE] 
Information Courtesy of Inquirer / Paolo G. Montecillo

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

NTC to GMA7, TV5: SkyCable signals clear, of high quality

INQUIRER:

SkyCable, the country’s leading cable TV provider, continues to provide high-quality signals for all channels in its roster, even those of rival broadcast networks, the National Telecommunications Commission (NTC) said.

This comes despite past accusations that SkyCable had sabotaged the broadcasts of rivals of its parent firm, ABS-CBN Corp.

In a recent report, the NTC’s National Capital Region (NCR) office said the signal of GMA Channel 7 that SkyCable transmits was “found to be clear and of high quality.”

“We strive to ensure that all channels SkyCable airs are at the best quality possible, and we are happy that the NTC report validates this,” SkyCable marketing head Ray Montinola said.

“We also conduct surveys among our cable subscribers to confirm that our signal quality is consistent and acceptable for all channels,” he said.

The NTC inspection stemmed from a request made by SkyCable for the regulator to conduct an investigation on the signal quality of GMA Channel 7, ABS-CBN’s chief rival, which is being transmitted by SkyCable to its Metro Manila subscribers.

The inspection, ordered by NTC Deputy Commissioner Delilah Deles, was done at the company’s head-end facility located in Barangay (village) Little Baguio, San Juan City.
Earlier, the NTC cleared SkyCable in a signal interference suit filed by Manuel V. Pangilinan’s Associated Broadcasting Corp. (ABC), operator of the TV5 network.

TV5 had publicly accused SkyCable of interfering with TV5 transmissions, particularly in Cebu City and nearby areas.

Following an inspection, the NTC found that TV5’s poor signal quality, resulting in “double-image” reception, was a result of reflected signals from the nearby mountains of Busay and Bagbag.

Further tests made in another cable TV provider (Destiny Cable) located at Paknaan, Mandaue City, showed a similar result of a double image effect from TV5. The technical engineering team from NTC Cebu and representatives from TV5 and SkyCable participated in the joint investigation.

“The cable TV provider is not responsible for the unexplained poor broadcast transmission signal of TV5 in Cebu, as earlier alleged by the TV network,” SkyCable said.

CONTINUE READING FROM ORIGINAL [SOURCE] 
Information Courtesy of Inquirer / Paolo G. Montecillo

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Tuesday, August 23, 2011

The prize of being an exclusive talent and cutting ties and loyalty change

MANILA STANDARD TODAY:

It’s not surprising that one talent jumps from one station to another. Oftentimes, it’s the most logical and practical decision to do. Take for example Heart Evangelista, before she moved to GMA-7, her star was already waning in ABS-CBN.

Heart is a classic example of an actor that made a good and practical decision. Her loyalty change favored her generously. But this is not the same fate that happened to Claudine Barretto and Cesar Montano. When they cut their ties with their mother network and decided to jump ship, it became more obvious that they are no longer at the top of their respective careers.

Another in showbiz recent history, Angel Locsin, who was GMA-7’s prized star for headlining top-rating series, made a controversial move in 2007. As opposed to the public’s speculation, Angel’s career didn’t die, although competition in ABS-CBN is stiffer than in GMA-7 for major projects. Angel has been able to maintain her status as a star and remained very much in the loop. Angel’s fate in Kapamilya network, on the other hand, is not the same as that of Jewel Mische’s. After she moved to ABS-CBN, she has only been given one lead role in a miniseries. Now, she is only seen doing bit roles.

Now here comes another Kapuso star that cut his ties with his mother network and decided to ink a more lucrative contract with ABS-CBN. Twenty-three-year-old Paulo Avelino is now a certified Kapamilya.

The young actor, who has a son with LJ Reyes, started in the reality talent show StarStruck (the same batch as Aljur Abrenica and Jewel Mische). As Kapuso, he became part of more than a dozen shows. His last project was a series called Alakdana where he played one of the lead roles. Sure the Kapamilya network offered him a much better deal, because amid of constant promise that he would be given more and better projects in GMA-7, he still decided to leave.

According to Paulo, he decided to switch network because he believes it will help him grow not just as an actor and as an individual, “I want to explore out of my comfort zone and reinvent myself as an actor and as an artist.”

And that’s what we have heard from all the other talents who had switched networks. We just hope he made the right decision.



The prize of being an exclusive talent

We can easily identify whether an artist is a Kapamilya or a Kapuso or a Kapatid contract artist. Each station has its own lineup of big stars that headline programs and series pitted against each other colorfully creating a virtual war for ratings supremacy. But who benefits from the network war, and does being an exclusive talent to a television network do any good in someone’s career?

Healthy competition is undoubtedly an alien word to any network. All they want is to claim the top spot in terms of viewership, audience share, ad loads and ultimately, revenue. But what the media consumers are being left with are programs with poor quality and mindless content. Television remakes and adaptation, for example, reinforces television networks’ inability to come up with new concepts.

In the middle of this complacency are the television stars that are either remembered for their role or easily forgotten for not making an impact on the viewers. The reality is, being an actor in this generation is difficult compared to the previous decades. Television has an overflowing supply of actor wannabes. One is lucky enough to have an exclusive network because it guarantees paycheck or honorarium every month (until the contract expires). Some contract artists are even more fortunate for having an exclusive and guaranteed contract, which will give salary with or without projects.

Once an artist’s contract ends, the option of moving to a different television station is one of the available options. We often hear a big star has decided to shift loyalty as he or she finds a better opportunity in a different management. Then again, moving from one network to another is not an assurance the star will have the same success. There are many ABS-CBN stars that transferred to GMA-7 and vice versa (or recently to TV5), who instantly lost their career.

Cutting ties with a network is not an easy decision but it’s a gamble, a few artists where able to maintain their stars and some even made their stars shine brighter. It depends if their fans, which are usually more loyal to the channel than the stars, would follow their appearance in the rival station.

In a bigger picture, being an exclusive talent has its own pros and cons. For one, it limits the artist’s potential to grow a fan base, but his or her being an exclusive star can keep his or her bank account alive with constant activity.

In countries like South Korea, the home of the popular television dramas and series which take the whole region by storm, talent management is not exclusive to a television network. There are separate agencies that supply actors to television stations. Best examples are YG Entertainment, SM Entertainment and JYP Entertainment. These independent agencies also produce music record album, build up artists for movies and television, and other major entertainment events. The talents from these agencies then can have all the exposure they could get because they are not subject to network exclusivity.

YG Entertainment, SM Entertainment and JYP Entertainment and three other agencies in South Korea joined forces to create a huge Asian management agency, a joint investment that aims to develop an industry that will be acting as the global agency for artists planning to advance, or currently promoting, overseas. So that explains why Korean wave is almost everywhere now.

If only local talent management agencies and television networks have a similar perspective in developing Filipino artists, then it wouldn’t be hard for them to introduce more local artists in global stage. Unfortunately, this will never happen. They are more focused in claiming being the number one station having all the top-rating programs and series.




BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of Manila Standard Today / Nickie Wang

http://www.manilastandardtoday.com/insideEntertainment.htm?f=2011/august/22/entertainment2.isx&d=2011/august/22

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

The prize of being an exclusive talent and cutting ties and loyalty change

MANILA STANDARD TODAY:

It’s not surprising that one talent jumps from one station to another. Oftentimes, it’s the most logical and practical decision to do. Take for example Heart Evangelista, before she moved to GMA-7, her star was already waning in ABS-CBN.

Heart is a classic example of an actor that made a good and practical decision. Her loyalty change favored her generously. But this is not the same fate that happened to Claudine Barretto and Cesar Montano. When they cut their ties with their mother network and decided to jump ship, it became more obvious that they are no longer at the top of their respective careers.

Another in showbiz recent history, Angel Locsin, who was GMA-7’s prized star for headlining top-rating series, made a controversial move in 2007. As opposed to the public’s speculation, Angel’s career didn’t die, although competition in ABS-CBN is stiffer than in GMA-7 for major projects. Angel has been able to maintain her status as a star and remained very much in the loop. Angel’s fate in Kapamilya network, on the other hand, is not the same as that of Jewel Mische’s. After she moved to ABS-CBN, she has only been given one lead role in a miniseries. Now, she is only seen doing bit roles.

Now here comes another Kapuso star that cut his ties with his mother network and decided to ink a more lucrative contract with ABS-CBN. Twenty-three-year-old Paulo Avelino is now a certified Kapamilya.

The young actor, who has a son with LJ Reyes, started in the reality talent show StarStruck (the same batch as Aljur Abrenica and Jewel Mische). As Kapuso, he became part of more than a dozen shows. His last project was a series called Alakdana where he played one of the lead roles. Sure the Kapamilya network offered him a much better deal, because amid of constant promise that he would be given more and better projects in GMA-7, he still decided to leave.

According to Paulo, he decided to switch network because he believes it will help him grow not just as an actor and as an individual, “I want to explore out of my comfort zone and reinvent myself as an actor and as an artist.”

And that’s what we have heard from all the other talents who had switched networks. We just hope he made the right decision.



The prize of being an exclusive talent

We can easily identify whether an artist is a Kapamilya or a Kapuso or a Kapatid contract artist. Each station has its own lineup of big stars that headline programs and series pitted against each other colorfully creating a virtual war for ratings supremacy. But who benefits from the network war, and does being an exclusive talent to a television network do any good in someone’s career?

Healthy competition is undoubtedly an alien word to any network. All they want is to claim the top spot in terms of viewership, audience share, ad loads and ultimately, revenue. But what the media consumers are being left with are programs with poor quality and mindless content. Television remakes and adaptation, for example, reinforces television networks’ inability to come up with new concepts.

In the middle of this complacency are the television stars that are either remembered for their role or easily forgotten for not making an impact on the viewers. The reality is, being an actor in this generation is difficult compared to the previous decades. Television has an overflowing supply of actor wannabes. One is lucky enough to have an exclusive network because it guarantees paycheck or honorarium every month (until the contract expires). Some contract artists are even more fortunate for having an exclusive and guaranteed contract, which will give salary with or without projects.

Once an artist’s contract ends, the option of moving to a different television station is one of the available options. We often hear a big star has decided to shift loyalty as he or she finds a better opportunity in a different management. Then again, moving from one network to another is not an assurance the star will have the same success. There are many ABS-CBN stars that transferred to GMA-7 and vice versa (or recently to TV5), who instantly lost their career.

Cutting ties with a network is not an easy decision but it’s a gamble, a few artists where able to maintain their stars and some even made their stars shine brighter. It depends if their fans, which are usually more loyal to the channel than the stars, would follow their appearance in the rival station.

In a bigger picture, being an exclusive talent has its own pros and cons. For one, it limits the artist’s potential to grow a fan base, but his or her being an exclusive star can keep his or her bank account alive with constant activity.

In countries like South Korea, the home of the popular television dramas and series which take the whole region by storm, talent management is not exclusive to a television network. There are separate agencies that supply actors to television stations. Best examples are YG Entertainment, SM Entertainment and JYP Entertainment. These independent agencies also produce music record album, build up artists for movies and television, and other major entertainment events. The talents from these agencies then can have all the exposure they could get because they are not subject to network exclusivity.

YG Entertainment, SM Entertainment and JYP Entertainment and three other agencies in South Korea joined forces to create a huge Asian management agency, a joint investment that aims to develop an industry that will be acting as the global agency for artists planning to advance, or currently promoting, overseas. So that explains why Korean wave is almost everywhere now.

If only local talent management agencies and television networks have a similar perspective in developing Filipino artists, then it wouldn’t be hard for them to introduce more local artists in global stage. Unfortunately, this will never happen. They are more focused in claiming being the number one station having all the top-rating programs and series.




BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of Manila Standard Today / Nickie Wang

http://www.manilastandardtoday.com/insideEntertainment.htm?f=2011/august/22/entertainment2.isx&d=2011/august/22

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Monday, August 22, 2011

The Aug. 23 hostage crisis: Lessons for the media

GMA NEWS:

When President Aquino announced the results of his legal team’s review of the hostage crisis, he was careful with his words when he touched on the media. “We view media as an effective partner in providing checks and balances, and to this end, allies in our goal of good governance. We will continue to champion freedom of the press as guaranteed in our Constitution," he said.

However, he pointed out instances of abuse, especially those by Michael Rogas and Erwin Tulfo of Radyo Mo Nationwide (formerly Radio Mindanao Network): “Rogas interfered in the negotiations and effectively aided and supported the hostage taker by giving him a platform to air his demands. Tulfo, by his own admission, violated police instructions. Their behavior was irresponsible bordering on the criminal."

The president warned that if “this kind of unprofessional behavior" is repeated, the government may be compelled to “ask Congress for appropriate regulations to protect the safety of the public, our security forces and media itself."

In a commentary last June about the results of the KBP investigation, republished below, the Center for Media Freedom and Responsibility grappled with a similar question: does self-regulation have a future in the Philippines?

The media are not only failing to regulate themselves; more importantly, some media organizations are actually depending on the government to intervene, in effect eroding the very principle of self-regulation itself.

The Kapisanan ng mga Brodkaster ng Pilipinas (KBP) Standards Authority released recently a decision on the Aug. 23, 2010 hostage-taking incident, which included the imposition of fines on member-networks for violating the KBP Broadcast Code. Before it issued the decision, the KBP also revised Article 6 (Crime and Crisis Situations) of its Broadcast Code to help media organizations avoid making the same mistakes they made during the Aug. 23 hostage taking incident should something similar happen in the future.

On that date, Rolando Mendoza, a former police officer, took hostage 25 tourists from Hong Kong and some Filipino staff who were in a tourist bus about to leave Manila’s Fort Santiago the Luneta Park. The incident ended with nine individuals, including Mendoza, dead.

The press, particularly the broadcast media, has been at least partly blamed for the bloody outcome of the hostage taking. Their ethical and professional lapses during the 11-hour coverage made the situation worse. The government, recognizing the existence of the self-regulatory mechanisms of the press, asked the KBP to investigate the media violations and to impose appropriate sanctions.

REACTIONS

The Philippine Center for Investigative Journalism sought the reactions of media groups to the KBP decision and its proposal to craft a Broadcast Code. Their replies below:

TV5:

“TV5 is disappointed in the KBP Standards Authority Decision dated 15 December 2010, and the KBP Board’s Order dated 12 April 2011, particularly because it, among all other networks covering the hostage taking crisis, had applied self-imposed restraint in its coverage, as evidenced by
(i) its refusal to cover and interview the hostage-taker, despite the latter’s request;
(ii) the fact that its news crews stayed well behind the police lines as instructed by the authorities;
(iii) its decision to air the arrest of the hostage-taker’s brother – not in real time, as was done by other networks – two hours later, as part of the late evening newscast; and
(iv) its reticence in airing its footage on the SWAT Team’s practice assault. TV5’s coverage was strictly in line with its duty to inform the public of newsworthy events, and patently did not reveal information, vital or otherwise, that the hostage-taker – who, in the elevated bus, had a 360-degree view of the scene – did not himself have.

“Nevertheless, as a current KBP member, TV5 was constrained to accept the Decision and Order, and had in fact complied with the penalty provision thereof last 29 April 2011."

GMA:

1. The network’s position is the Kapisanan ng mga Brodkaster ng Pilipinas (KBP), as a trade organization like the Philippine Chamber of Commerce and Industry (PCCI), Makati Business Club, etc., should be promoting/advocating the common interest of its members and should leave the regulation of the operations of its members to the government agencies that are statutorily authorized to regulate the pertinent aspects of its members’ operations (e.g. NTC, MTRCB, etc.).
The KBP was created and established during Martial Law for the regime to indirectly control broadcast media in the guise of self-regulation. It is of common knowledge that the key and influential officers of the KBP at that time were those nominated and/or installed by the regime.

2. GMA Network left the KBP in September 2003 after it determined that it was being discriminated against by the unequal application of the rules by KBP.

3. After the Manila Peninsula incident the broadcast media members and the DILG/ PNP reached an understanding on how media should cover crisis situations, including hostage taking.

4. The real and effective self-regulation is when each broadcast media operator applies its own code of ethics and existing applicable laws and regulations. Outside of such real self-regulation, by the broadcast company itself, the other regulation that would be effective will be the enforcement / application of existing laws and regulations by the entities authorized by law to do so.

The result

The KBP Standards Authority December 2010 decision declared that:

“The Authority finds cause to hold the following respondents liable for first offenses (against) certain provisions of the Broadcast Code, as follows:

“On respondents Radio Mindanao Network (Radyo Mo Nationwide, RMN), Michael Rogas, and Erwin Tulfo, for having violated Sec. 1, Art. 6, Part I of the Broadcast Code (Coverage of crimes in progress), the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure on respondent Radio Mindanao Network; the sum of Fifteen Thousand Pesos (P15,000.00) and reprimand on respondent Michael Rogas; and the sum of Ten Thousand Pesos (P10,000.00) and reprimand on respondent Erwin Tulfo, all in accordance with the offense classification and range of penalties provided in Art. 4.1, Part III of the Broadcast Code.

“We, however, find no cause to hold Jesus J. Maderazo of RMN liable under the Broadcast Code.

“On respondent ABS-CBN Broadcasting Corporation, for having violated Sec. 4, Art. 6, Part I of the Broadcast Code (Schedule of Penalties for Grave Offenses) , the following penalties are hereby imposed The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code.

“On respondent Associated Broadcasting Company (TV5), for having violated Sec. 4, Art. 6, Part I of the Broadcast Code, the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code."

The penalties do not seem to be commensurate to the wrongdoing. Among its options, the KBP chose not to suspend Rogas and Tulfo for the major ethical offense of interviewing Mendoza during the most crucial stages of the crisis.

In the first place, however, the KBP decision, comparable to a mountain’s laboring to produce a mouse, had been almost a year in the making. In all that time, its Standards Authority simply decided not to include GMA Network Inc. (GMA-7) in its investigation because the network is not a KBP member.

Beyond ironic

And yet GMA-7 committed similarly egregious violations of the Broadcast Code as ABS-CBN 2 and TV5, among them that of reporting police and SWAT team movements in the afternoon of the 23rd. The KBP “solution" to this dilemma was to ask the government to get involved, in effect providing government a justification for media regulation in the name of self-regulation!

The KBP actually suggested that “the Office of the President, through the Office of the Executive Secretary, and with the assistance of the National Telecommunications Commission (NTC), support the KBP in establishing a system or mechanism by which the Broadcast Code is made to apply to all broadcast stations in the country, without exception, in the interest of promoting the principle of self-regulation (and accountability) in the country’s broadcast industry."

The statement is beyond ironic. Media self-regulation means that media institutions themselves enforce ethical and professional standards among their members without intervention from the government or any other external agency. And yet here is one of the alleged mechanisms of self-regulation itself asking for government intervention— and in the name of self-regulation.

Although it does not have authority over non-members, there is nothing to stop KBP from reviewing and evaluating the performance of all broadcast media organizations.

ABS-CBN 2 paid the fine of P30,000 imposed on it for its lapses in the coverage of the Aug. 23 hostage taking, but neither agreed with, nor admitted any liability in connection with the KBP decision.

On the other hand, TV5 appealed the decision, arguing that the police should have intervened in its coverage, again in effect arguing for government regulation by admitting its inability to itself decide, on the basis of media ethics and professional standards, how their reporters should have behaved. TV5 also argued that it was unfair that while it was being sanctioned, non-KBP members like GMA-7 “get away unscathed no matter what it does."

RMN similarly appealed the KBP decision, insisting that they had not violated any provisions of the broadcast code.

GMA-7’s withdrawal of membership from KBP has indeed prevented its being investigated by KBP and exempted it from whatever sanctions it may impose, in both the Aug. 23 hostage-taking incident as well as others. And yet the KBP could have looked into GMA-7’s coverage despite its non-membership, and cited it for the lapses in its coverage without imposing such sanctions as fining it the paltry sum of P30,000. Non-KBP membership, as TV5 correctly argued, should not be a license for any media organization to commit ethical and professional lapses that help make things worse rather than better during crisis situations.

KBP needs to review its mindset as far as non-KBP members are concerned. It needs to affirm that it has the option to evaluate GMA-7’s and other non-KBP members’ performance, if for no other reason than the fact that public interest requires it.

Of equal concern for KBP, however, should be the lesson it is imparting to both its members and non-members otherwise: If non-members can “get away unscathed", as TV5 complains, what is to stop KBP members from taking the same path of resigning their membership as GMA-7, and eventually scuttling the entire self-regulatory imperative in Philippine broadcast media?

Reprinted with permission from the CMFR and Eye on Ethics websites


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of GMA NEWS / Center for Media Freedom and Responsibility

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

The Aug. 23 hostage crisis: Lessons for the media

GMA NEWS:

When President Aquino announced the results of his legal team’s review of the hostage crisis, he was careful with his words when he touched on the media. “We view media as an effective partner in providing checks and balances, and to this end, allies in our goal of good governance. We will continue to champion freedom of the press as guaranteed in our Constitution," he said.

However, he pointed out instances of abuse, especially those by Michael Rogas and Erwin Tulfo of Radyo Mo Nationwide (formerly Radio Mindanao Network): “Rogas interfered in the negotiations and effectively aided and supported the hostage taker by giving him a platform to air his demands. Tulfo, by his own admission, violated police instructions. Their behavior was irresponsible bordering on the criminal."

The president warned that if “this kind of unprofessional behavior" is repeated, the government may be compelled to “ask Congress for appropriate regulations to protect the safety of the public, our security forces and media itself."

In a commentary last June about the results of the KBP investigation, republished below, the Center for Media Freedom and Responsibility grappled with a similar question: does self-regulation have a future in the Philippines?

The media are not only failing to regulate themselves; more importantly, some media organizations are actually depending on the government to intervene, in effect eroding the very principle of self-regulation itself.

The Kapisanan ng mga Brodkaster ng Pilipinas (KBP) Standards Authority released recently a decision on the Aug. 23, 2010 hostage-taking incident, which included the imposition of fines on member-networks for violating the KBP Broadcast Code. Before it issued the decision, the KBP also revised Article 6 (Crime and Crisis Situations) of its Broadcast Code to help media organizations avoid making the same mistakes they made during the Aug. 23 hostage taking incident should something similar happen in the future.

On that date, Rolando Mendoza, a former police officer, took hostage 25 tourists from Hong Kong and some Filipino staff who were in a tourist bus about to leave Manila’s Fort Santiago the Luneta Park. The incident ended with nine individuals, including Mendoza, dead.

The press, particularly the broadcast media, has been at least partly blamed for the bloody outcome of the hostage taking. Their ethical and professional lapses during the 11-hour coverage made the situation worse. The government, recognizing the existence of the self-regulatory mechanisms of the press, asked the KBP to investigate the media violations and to impose appropriate sanctions.

REACTIONS

The Philippine Center for Investigative Journalism sought the reactions of media groups to the KBP decision and its proposal to craft a Broadcast Code. Their replies below:

TV5:

“TV5 is disappointed in the KBP Standards Authority Decision dated 15 December 2010, and the KBP Board’s Order dated 12 April 2011, particularly because it, among all other networks covering the hostage taking crisis, had applied self-imposed restraint in its coverage, as evidenced by
(i) its refusal to cover and interview the hostage-taker, despite the latter’s request;
(ii) the fact that its news crews stayed well behind the police lines as instructed by the authorities;
(iii) its decision to air the arrest of the hostage-taker’s brother – not in real time, as was done by other networks – two hours later, as part of the late evening newscast; and
(iv) its reticence in airing its footage on the SWAT Team’s practice assault. TV5’s coverage was strictly in line with its duty to inform the public of newsworthy events, and patently did not reveal information, vital or otherwise, that the hostage-taker – who, in the elevated bus, had a 360-degree view of the scene – did not himself have.

“Nevertheless, as a current KBP member, TV5 was constrained to accept the Decision and Order, and had in fact complied with the penalty provision thereof last 29 April 2011."

GMA:

1. The network’s position is the Kapisanan ng mga Brodkaster ng Pilipinas (KBP), as a trade organization like the Philippine Chamber of Commerce and Industry (PCCI), Makati Business Club, etc., should be promoting/advocating the common interest of its members and should leave the regulation of the operations of its members to the government agencies that are statutorily authorized to regulate the pertinent aspects of its members’ operations (e.g. NTC, MTRCB, etc.).
The KBP was created and established during Martial Law for the regime to indirectly control broadcast media in the guise of self-regulation. It is of common knowledge that the key and influential officers of the KBP at that time were those nominated and/or installed by the regime.

2. GMA Network left the KBP in September 2003 after it determined that it was being discriminated against by the unequal application of the rules by KBP.

3. After the Manila Peninsula incident the broadcast media members and the DILG/ PNP reached an understanding on how media should cover crisis situations, including hostage taking.

4. The real and effective self-regulation is when each broadcast media operator applies its own code of ethics and existing applicable laws and regulations. Outside of such real self-regulation, by the broadcast company itself, the other regulation that would be effective will be the enforcement / application of existing laws and regulations by the entities authorized by law to do so.

The result

The KBP Standards Authority December 2010 decision declared that:

“The Authority finds cause to hold the following respondents liable for first offenses (against) certain provisions of the Broadcast Code, as follows:

“On respondents Radio Mindanao Network (Radyo Mo Nationwide, RMN), Michael Rogas, and Erwin Tulfo, for having violated Sec. 1, Art. 6, Part I of the Broadcast Code (Coverage of crimes in progress), the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure on respondent Radio Mindanao Network; the sum of Fifteen Thousand Pesos (P15,000.00) and reprimand on respondent Michael Rogas; and the sum of Ten Thousand Pesos (P10,000.00) and reprimand on respondent Erwin Tulfo, all in accordance with the offense classification and range of penalties provided in Art. 4.1, Part III of the Broadcast Code.

“We, however, find no cause to hold Jesus J. Maderazo of RMN liable under the Broadcast Code.

“On respondent ABS-CBN Broadcasting Corporation, for having violated Sec. 4, Art. 6, Part I of the Broadcast Code (Schedule of Penalties for Grave Offenses) , the following penalties are hereby imposed The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code.

“On respondent Associated Broadcasting Company (TV5), for having violated Sec. 4, Art. 6, Part I of the Broadcast Code, the following penalties are hereby imposed: The sum of Thirty Thousand Pesos (P30,000.00) and censure, in accordance with the offense classification and range of penalties provided in Art. 4.2, Part III of the Broadcast Code."

The penalties do not seem to be commensurate to the wrongdoing. Among its options, the KBP chose not to suspend Rogas and Tulfo for the major ethical offense of interviewing Mendoza during the most crucial stages of the crisis.

In the first place, however, the KBP decision, comparable to a mountain’s laboring to produce a mouse, had been almost a year in the making. In all that time, its Standards Authority simply decided not to include GMA Network Inc. (GMA-7) in its investigation because the network is not a KBP member.

Beyond ironic

And yet GMA-7 committed similarly egregious violations of the Broadcast Code as ABS-CBN 2 and TV5, among them that of reporting police and SWAT team movements in the afternoon of the 23rd. The KBP “solution" to this dilemma was to ask the government to get involved, in effect providing government a justification for media regulation in the name of self-regulation!

The KBP actually suggested that “the Office of the President, through the Office of the Executive Secretary, and with the assistance of the National Telecommunications Commission (NTC), support the KBP in establishing a system or mechanism by which the Broadcast Code is made to apply to all broadcast stations in the country, without exception, in the interest of promoting the principle of self-regulation (and accountability) in the country’s broadcast industry."

The statement is beyond ironic. Media self-regulation means that media institutions themselves enforce ethical and professional standards among their members without intervention from the government or any other external agency. And yet here is one of the alleged mechanisms of self-regulation itself asking for government intervention— and in the name of self-regulation.

Although it does not have authority over non-members, there is nothing to stop KBP from reviewing and evaluating the performance of all broadcast media organizations.

ABS-CBN 2 paid the fine of P30,000 imposed on it for its lapses in the coverage of the Aug. 23 hostage taking, but neither agreed with, nor admitted any liability in connection with the KBP decision.

On the other hand, TV5 appealed the decision, arguing that the police should have intervened in its coverage, again in effect arguing for government regulation by admitting its inability to itself decide, on the basis of media ethics and professional standards, how their reporters should have behaved. TV5 also argued that it was unfair that while it was being sanctioned, non-KBP members like GMA-7 “get away unscathed no matter what it does."

RMN similarly appealed the KBP decision, insisting that they had not violated any provisions of the broadcast code.

GMA-7’s withdrawal of membership from KBP has indeed prevented its being investigated by KBP and exempted it from whatever sanctions it may impose, in both the Aug. 23 hostage-taking incident as well as others. And yet the KBP could have looked into GMA-7’s coverage despite its non-membership, and cited it for the lapses in its coverage without imposing such sanctions as fining it the paltry sum of P30,000. Non-KBP membership, as TV5 correctly argued, should not be a license for any media organization to commit ethical and professional lapses that help make things worse rather than better during crisis situations.

KBP needs to review its mindset as far as non-KBP members are concerned. It needs to affirm that it has the option to evaluate GMA-7’s and other non-KBP members’ performance, if for no other reason than the fact that public interest requires it.

Of equal concern for KBP, however, should be the lesson it is imparting to both its members and non-members otherwise: If non-members can “get away unscathed", as TV5 complains, what is to stop KBP members from taking the same path of resigning their membership as GMA-7, and eventually scuttling the entire self-regulatory imperative in Philippine broadcast media?

Reprinted with permission from the CMFR and Eye on Ethics websites


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of GMA NEWS / Center for Media Freedom and Responsibility

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Sunday, August 21, 2011

GMA7 has biggest share of advertisers' TV AD spending from July till August; leads nationwide ratings

GMA NEWS:

This value - something other channels did not deliver - won for GMA 40 percent of advertisers' TV ad spending (based on ratecards) from July till the rest of August.

GMA Network, Inc. (GMA) won over other mainstream television channels as it cornered the highest audience share from all over the Philippines, according to recent household data of the most widely trusted ratings service provider Nielsen TV Audience Measurement.

From a 2.8-point margin over ABS-CBN in total day average household audience share in National Urban Television Audience Measurement (NUTAM) in July, GMA further stretched the gap to 3.2 points in partial August (till August 16; August 7 to 16 based on overnight data) with 34.6 points versus the competition's 31.4 points.

The lead in August translates to 119,973 households or almost 600,000 more viewers who prefer to watch GMA over ABS-CBN, based on an average of five viewers per TV household.

The growing gap mirrored ABS-CBN's weakening programming as against the same period in 2010. GMA, meanwhile, ups its ratings and programming ante, now running ahead of the competition in national television ratings. This value - something other channels did not deliver - won for GMA 40 percent of advertisers' TV ad spending (based on ratecards) from July till the rest of August.

GMA is consistently ahead in the key markets of Urban Luzon and Mega Manila, respectively comprising 77 percent and 58 percent of total television households nationwide, while ABS-CBN is closely losing advantage in the smaller markets of Urban Visayas and Urban Mindanao, respectively comprising 13 percent and 10 percent of the country's total urban television households.

GMA's primetime block was still the most favored evening viewing habit in the important, cost-effective areas of Urban Luzon and Mega Manila. For the block running from 6 p.m. to 12 midnight, GMA was ahead by 1.7 points in Urban Luzon with 34 points as against ABS-CBN's 32.3 points; while in Mega Manila, GMA had a larger gap of 4.5 points with 35.2 points as against competition's 30.7.

The lead of GMA in Urban Luzon translates to 63,061 households or 315,305 more viewers over ABS-CBN during primetime. Meanwhile, the Kapuso Network's 4.5 lead in viewer-rich Mega Manila translates to 134,646 households or 673,230 more viewers over ABS-CBN using an average of five viewers per TV household.

For July, GMA was dominant in the top 30 programs in Urban Luzon and Mega Manila with 20 entries. 

In both areas, ABS-CBN's primetime lineup was no match to GMA's. Amaya and Munting Heredera were the top two programs in the areas, while television's longest running noontime variety show Eat Bulaga ranked third - running miles ahead of ABS-CBN's Happy Yipee Yehey!, which had no ranking in either roster.

Meanwhile, GMA's afternoon block (from 12 noon to 6 p.m.) remains a showcase of programs with storylines friendly to both viewers and advertisers - the Company's key stakeholders.

In fact, GMA dominated the overall top 10 weekday afternoon programs in NUTAM with six entries. 

The Company's streak of afternoon dramas composed of Blusang Itim, Sinner or Saint, and Sisid were clearly ahead of ABS-CBN's Kapamilya Gold's Reputasyon and Kapamilya Blockbusters in NUTAM.

From a 13.1-point lead in NUTAM in the afternoon block this July, the gap grew to 15.9 household share points in partial August with GMA scoring 41.1 points versus ABS-CBN's 25.2 points.

In terms of number of televiewers, the lead of 15.9 points meant that 600,265 households or over three million more viewers nationwide were attuned to GMA's afternoon block over ABS-CBN this partial August.

Still in the afternoon block, GMA Network garnered 45.9 household audience share points over ABS-CBN's 19.9 points in Urban Luzon this partial August. The 26-point lead translates to 759,282 households or almost 3.8 million more viewers who preferred the Kapuso programs over those of the competition.

In Mega Manila, GMA gathered 47 points compared to ABS-CBN's 18.3 points. The 28.7-point lead meant that 647,938 households or over 3.2 million viewers watched GMA over ABS-CBN in the afternoon block.

Last July 25, the coverage by GMA News and Public Affairs (N&PA) of President Noynoy Aquino's second State of the Nation Address (SONA) billed SONA 2011 was an outstanding winner relative to the competition's Ulat sa Bayan.

The Nielsen TV Audience Measurement used by GMA is used by 21 companies including two other local networks, namely, TV5 and Solar Entertainment; Faulkner Media; CBN Asia; 13 advertising agencies and three regional clients. On the other hand, ABS-CBN is the only major local TV network reportedly subscribing to Kantar Media, formerly known as TNS.

Nielsen has been issuing ratings data in Mega Manila since November 2000 with 800 paneled homes in the area. Kantar Media's operations in the area, with a lower sample size of 770 homes, started only in September 2007.

Nationwide, Nielsen debuted its ratings service in October 2006 with a total sample size of 2,005 homes. Kantar Media, meanwhile, started nationwide ratings service only in February 2009 with a lower sample size of 1,370 homes. -- GMA News


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of GMA News

http://www.gmanews.tv/story/230000/entertainment/gma-network-tops-national-tv-ratings

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

GMA7 has biggest share of advertisers' TV AD spending from July till August; leads nationwide ratings

GMA NEWS:

This value - something other channels did not deliver - won for GMA 40 percent of advertisers' TV ad spending (based on ratecards) from July till the rest of August.

GMA Network, Inc. (GMA) won over other mainstream television channels as it cornered the highest audience share from all over the Philippines, according to recent household data of the most widely trusted ratings service provider Nielsen TV Audience Measurement.

From a 2.8-point margin over ABS-CBN in total day average household audience share in National Urban Television Audience Measurement (NUTAM) in July, GMA further stretched the gap to 3.2 points in partial August (till August 16; August 7 to 16 based on overnight data) with 34.6 points versus the competition's 31.4 points.

The lead in August translates to 119,973 households or almost 600,000 more viewers who prefer to watch GMA over ABS-CBN, based on an average of five viewers per TV household.

The growing gap mirrored ABS-CBN's weakening programming as against the same period in 2010. GMA, meanwhile, ups its ratings and programming ante, now running ahead of the competition in national television ratings. This value - something other channels did not deliver - won for GMA 40 percent of advertisers' TV ad spending (based on ratecards) from July till the rest of August.

GMA is consistently ahead in the key markets of Urban Luzon and Mega Manila, respectively comprising 77 percent and 58 percent of total television households nationwide, while ABS-CBN is closely losing advantage in the smaller markets of Urban Visayas and Urban Mindanao, respectively comprising 13 percent and 10 percent of the country's total urban television households.

GMA's primetime block was still the most favored evening viewing habit in the important, cost-effective areas of Urban Luzon and Mega Manila. For the block running from 6 p.m. to 12 midnight, GMA was ahead by 1.7 points in Urban Luzon with 34 points as against ABS-CBN's 32.3 points; while in Mega Manila, GMA had a larger gap of 4.5 points with 35.2 points as against competition's 30.7.

The lead of GMA in Urban Luzon translates to 63,061 households or 315,305 more viewers over ABS-CBN during primetime. Meanwhile, the Kapuso Network's 4.5 lead in viewer-rich Mega Manila translates to 134,646 households or 673,230 more viewers over ABS-CBN using an average of five viewers per TV household.

For July, GMA was dominant in the top 30 programs in Urban Luzon and Mega Manila with 20 entries. 

In both areas, ABS-CBN's primetime lineup was no match to GMA's. Amaya and Munting Heredera were the top two programs in the areas, while television's longest running noontime variety show Eat Bulaga ranked third - running miles ahead of ABS-CBN's Happy Yipee Yehey!, which had no ranking in either roster.

Meanwhile, GMA's afternoon block (from 12 noon to 6 p.m.) remains a showcase of programs with storylines friendly to both viewers and advertisers - the Company's key stakeholders.

In fact, GMA dominated the overall top 10 weekday afternoon programs in NUTAM with six entries. 

The Company's streak of afternoon dramas composed of Blusang Itim, Sinner or Saint, and Sisid were clearly ahead of ABS-CBN's Kapamilya Gold's Reputasyon and Kapamilya Blockbusters in NUTAM.

From a 13.1-point lead in NUTAM in the afternoon block this July, the gap grew to 15.9 household share points in partial August with GMA scoring 41.1 points versus ABS-CBN's 25.2 points.

In terms of number of televiewers, the lead of 15.9 points meant that 600,265 households or over three million more viewers nationwide were attuned to GMA's afternoon block over ABS-CBN this partial August.

Still in the afternoon block, GMA Network garnered 45.9 household audience share points over ABS-CBN's 19.9 points in Urban Luzon this partial August. The 26-point lead translates to 759,282 households or almost 3.8 million more viewers who preferred the Kapuso programs over those of the competition.

In Mega Manila, GMA gathered 47 points compared to ABS-CBN's 18.3 points. The 28.7-point lead meant that 647,938 households or over 3.2 million viewers watched GMA over ABS-CBN in the afternoon block.

Last July 25, the coverage by GMA News and Public Affairs (N&PA) of President Noynoy Aquino's second State of the Nation Address (SONA) billed SONA 2011 was an outstanding winner relative to the competition's Ulat sa Bayan.

The Nielsen TV Audience Measurement used by GMA is used by 21 companies including two other local networks, namely, TV5 and Solar Entertainment; Faulkner Media; CBN Asia; 13 advertising agencies and three regional clients. On the other hand, ABS-CBN is the only major local TV network reportedly subscribing to Kantar Media, formerly known as TNS.

Nielsen has been issuing ratings data in Mega Manila since November 2000 with 800 paneled homes in the area. Kantar Media's operations in the area, with a lower sample size of 770 homes, started only in September 2007.

Nationwide, Nielsen debuted its ratings service in October 2006 with a total sample size of 2,005 homes. Kantar Media, meanwhile, started nationwide ratings service only in February 2009 with a lower sample size of 1,370 homes. -- GMA News


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of GMA News

http://www.gmanews.tv/story/230000/entertainment/gma-network-tops-national-tv-ratings

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Monday, August 15, 2011

GMA Network maintains nationwide ratings lead

BY SUN STAR:

Broadcast giant GMA Network said it posted solid margins on national television ratings in the last week of July, citing data from Nielsen TV Audience Measurement.

According to full July household data in Nielsen’s National Urban Television Audience Measurement (Nutam), GMA posted a total day average audience share of 34.2 points, 2.8 points ahead of ABS-CBN’s 31.4; and 18.8 points higher than TV5’s 15.4.

Based on an estimated five viewers per household, the gaps translate to almost 500,000 more viewers from all over the country who favored GMA over ABS-CBN; and 3.5 million viewers who watched GMA instead of TV5.

Nielsen translates one rating point in Nutam to 90,890 households and 421,530 viewers.

In Urban Luzon, one rating point equals 69,700 households and 320,350 individuals; while in Mega Manila, one rating point is equivalent to 52,470 households and 239,070 individuals.

The Nielsen TV Audience Measurement used by GMA is used by 21 companies including two other local networks, namely TV5 and Solar Entertainment; Faulkner Media; CBN Asia; 13 advertising agencies and three regional clients.

On the other hand, ABS-CBN, the only major local TV network reportedly subscribing to Kantar Media, formerly known as TNS.

In Mega Manila alone, the Nielsen TV Audience Measurement has a sample size of 880 homes as compared to Kantar Media’s 770 homes.

Nationwide, Nielsen has a total sample size of 2,005 homes compared to the lower sample size of 1,370 utilized by Kantar Media. (Virgil Lopez/Sunnex)


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of Sun Star

http://www.sunstar.com.ph/breaking-news/2011/08/11/gma-network-maintains-ratings-lead-172355

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

GMA Network maintains nationwide ratings lead

BY SUN STAR:

Broadcast giant GMA Network said it posted solid margins on national television ratings in the last week of July, citing data from Nielsen TV Audience Measurement.

According to full July household data in Nielsen’s National Urban Television Audience Measurement (Nutam), GMA posted a total day average audience share of 34.2 points, 2.8 points ahead of ABS-CBN’s 31.4; and 18.8 points higher than TV5’s 15.4.

Based on an estimated five viewers per household, the gaps translate to almost 500,000 more viewers from all over the country who favored GMA over ABS-CBN; and 3.5 million viewers who watched GMA instead of TV5.

Nielsen translates one rating point in Nutam to 90,890 households and 421,530 viewers.

In Urban Luzon, one rating point equals 69,700 households and 320,350 individuals; while in Mega Manila, one rating point is equivalent to 52,470 households and 239,070 individuals.

The Nielsen TV Audience Measurement used by GMA is used by 21 companies including two other local networks, namely TV5 and Solar Entertainment; Faulkner Media; CBN Asia; 13 advertising agencies and three regional clients.

On the other hand, ABS-CBN, the only major local TV network reportedly subscribing to Kantar Media, formerly known as TNS.

In Mega Manila alone, the Nielsen TV Audience Measurement has a sample size of 880 homes as compared to Kantar Media’s 770 homes.

Nationwide, Nielsen has a total sample size of 2,005 homes compared to the lower sample size of 1,370 utilized by Kantar Media. (Virgil Lopez/Sunnex)


BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of Sun Star

http://www.sunstar.com.ph/breaking-news/2011/08/11/gma-network-maintains-ratings-lead-172355

 If You Like This Kapuso Post, Click Here To Subscribe Via Email

Wednesday, August 10, 2011

GMA Network widens gap in national TV ratings at the start of 2nd Sem 2011

"GMA Network, Inc. (GMA) made a strong start this second semester of 2011 as it posted solid margins on national television ratings, as validated by broadcast industry's most trusted ratings service provider, Nielsen TV Audience Measurement.

"According to full July household data (July 24 to 31 based on overnight ratings) in National Urban Television Audience Measurement (NUTAM), GMA posted a total day average audience share of 34.2 points, 2.8 points ahead of ABS-CBN's 31.4; and 18.8 points higher than TV5's 15.4.

"Based on an estimated five viewers per household, the gaps translate to almost 500,000 more viewers from all over the country who favored GMA over ABS-CBN; and 3.5 million viewers who watched GMA instead of TV5.

"In the list of overall top 30 programs less specials, during the period, GMA outnumbered ABS-CBN with 16 entries. GMA was noticeably strong in the afternoon block (from 12nn to 6pm) as it won by double-digits over competitors ABS-CBN and TV5.

"In Urban Luzon, which comprises 77 percent of total television households nationwide, GMA also posted double-digit margins versus ABS-CBN and TV5 in household audience shares. GMA was 11.3 points ahead of ABS-CBN with 37.9 points versus 26.6 points. GMA was likewise ahead of TV5's 16.7 points at a larger margin of 21.2 points.

"The lead means 1.6 million more viewers in the area preferred GMA over ABS-CBN; and 3.1 million more viewers favored GMA over TV5.

"In viewer-rich Mega Manila, which makes up 58 percent of total television households nationwide, GMA scored 38.6 share points, 13.2 points ahead in this bailiwick as compared to ABS-CBN's 25.4; and 21.3 points away from TV5's 17.3 points. The figures translate to GMA having 1.5 million more viewers over ABS-CBN; and 2.4 million more viewers over TV5.

"There were 20 GMA programs in the list of overall top 30 programs less specials in Urban Luzon; while 21 GMA programs made it to the same list in Mega Manila. In the top 10 roster, GMA almost made a clean sweep with nine entries in Mega Manila, and seven in Urban Luzon.

"Amaya, Munting Heredera, and Eat Bulaga were the top three programs in both areas. Other GMA programs that made it to the top 10 lists in Urban Luzon and Mega Manila include Captain Barbell, 24 Oras, Kapuso Mo, Jessica Soho, and Kap's Amazing Stories.

"Manny Pacquiao's Manny Many Prizes also made a hit debut last July 16 as it surpassed ABS-CBN's TV Patrol Weekend and Wansapanataym in Mega Manila weekend primetime ratings.

"Richard Gutierrez's Captain Barbell made a heroic bow during its last episode on July 29 as it beat ABS-CBN's top primetime contender 100 Days To Heaven, which is now up against Marian Rivera's epicserye Amaya, in Mega Manila and Urban Luzon.

"Nielsen translates one rating point in NUTAM to 90,890 households and 421,530 viewers. In Urban Luzon, one rating point equals 69,700 households and 320,350 individuals; while in Mega Manila, one rating point is equivalent to 52,470 households and 239,070 individuals.

"The Nielsen TV Audience Measurement used by GMA is used by 21 companies including two other local networks, namely, TV5 and Solar Entertainment; Faulkner Media; CBN Asia; 13 advertising agencies and three regional clients. On the other hand, ABS-CBN is the only major local TV network reportedly subscribing to Kantar Media, formerly known as TNS.

"In Mega Manila alone, the Nielsen TV Audience Measurement has a sample size of 880 homes as compared to Kantar Media's 770 homes. Nationwide, Nielsen has a total sample size of 2,005 homes compared to the lower sample size of 1,370 utilized by Kantar Media."



BACK TO KAPUSO ONLINE HOMEPAGE and THE KAPUSO ONLINE AWARDS - A Viewer's Choice Special: CLICK HERE TO VOTE


Information Courtesy of PEP

http://www.pep.ph/guide/tv/8669/gma-network-widens-gap-in-national-tv-ratings-at-the-start-of-2nd-semesternbsp-2011

 If You Like This Kapuso Post, Click Here To Subscribe Via Email