Kate Royal Explores the Life Cycle of Love in Recital Debut

The Royal blush of love at Weill Recital Hall.
(Photo: Richard Termine/The New York Times)

Kate Royal, pregnant with her second child, made her Carnegie Hall recital debut in Weill Recital Hall on May 20, 2011. Zachary Woolfe reviews for The New York Times : "Her ambitious program, a kind of original song cycle, was entitled A Lesson in Love, and Ms. Royal divided it into four themed sections: Waiting, the Meeting, the Wedding and Betrayal. (Not the most optimistic trajectory, but so it goes.) While she conveyed a sweet hopefulness in the first two and a sense of serene happiness in the third, it was when heartbreak was her subject that she was truly memorable .....But the second half felt more varied and specific as the emotional content of the works matured and then darkened. The calm clarity of Duparc’s 'Extase' suited Ms. Royal perfectly, as did Fauré’s 'Donc, Ce Sera par un Clair Jour d’Été.' She gave a stunning rendition of Britten’s 'O Waly, Waly'; its combination of pain and hushed serenity seemed written for her voice, which did just what was indicated by the final line, when love 'fades away like morning dew.'" [Source]

Watch a video of Kate Royal singing at WQXR studios:

Kate Royal is Pregnant and Cancels Glyndebourne 2011

Norman Lebrecht announces that soprano Kate Royal, who just made her Metropolitan Opera debut in Orfeo ed Euridice, is pregnant and has cancelled her engagement at the Glyndebourne Festival this summer. Miah Persson will be replacing her as the Governess in Britten's Turn of the Screw. Ms. Royal's husband, Julian Ovenden, is currently preparing Maury Yeston's Death Takes a Holiday which begins previews at the Roundabout Theatre in New York on June 10. The couple has one son, Johnnie Beau, that was born in October 2009. [Source, Source]

Watch a video of Julian Ovenden performing Sondheim after the jump!

MET Sirius XM Radio Tonight: "Die Walküre"

Listen to the Metropolitan Opera perform Wagner's Die Walküre live tonight at 6:30 PM EST on Sirius XM radio. Intermission guests: Thomas Allen, Kate Royal and Estelle Parsons.

Two Debuts & One Return in MET "Orfeo ed Euridice" Revival

MET debutantes Royal and Walker flank Daniels
on opening night (Photo: William Scott Walters)

"Soprano Kate Royal sang powerfully and emotionally as Euridice in a winning Met debut, displaying a strong upper register. She earned robust applause for 'Che fiero momento (What a proud moment).' Countertenor David Daniels once again was the star of the show, reprising his performance as Orfeo. The part was sung by the castrato Gaetano Guadagni at its premiere and also can be sung by a mezzo-soprano — Stephanie Blythe performed it at the Met two years ago. Slimmed down and looking radiant with sparkles on his clothes and a guitar dangling from his back, Daniels commanded the stage, conveying his pain at not being allowed to look at Euridice. His liquid voice dazzled in 'Che faro senza Euridice? (What shall I do without Euridice?)' .... Australian conductor Anthony Walker made his Met debut, leading a propulsive performance but one that was less frothy than James Levine's version when the staging was new." [Source]

A History of "Orfeo ed Euridice" at the Metropolitan Opera

Risë Stevens as Orfeo (Photo: Tony Vaccaro)

As Gluck's opera Orfeo ed Euridice is set to open tonight at the Metropolitan Opera with David Daniels, let's take a look back at the many stars who have sung the role of Orfeo at this famous company. The first performance given by the MET was actually at the Boston Theatre in Massachusetts and was sung in German with Marianne Brandt taking on the lead role in 1885. The next performance took place in 1891 with Giulia Ravogli singing Orfeo in Chicago, Illinois. In an interesting pairing, the work received its premiere at the Metropolitan Opera in New York City on December 11, 1893, with Leoncavallo's I Pagliacci taking the second part of the evening. Sofia Scalchi sang Orfeo and Nellie Melba sang Nedda. Quite an interesting night to be sure. The production returned in 1895 with Marie Brema as Orfeo and this time sharing the evening with Emma Calvé as Anita in the U.S. premiere of Massenet's La Navarraise. The opera gets revived in 1909 with Louise Homer in a new production with a drastically revised score by conductor of the performances, Arturo Toscanini. Marie Delna makes her debut as Orfeo in the last performance of this run. The original cast of this production returned for the 1910-11 and 1911-12 seasons for a revival with Margarete Matzenauer stepping in for one performance as Orfeo. There is one more performance on March 2, 1914, before this production takes a respite until 1936 when Orfeo ed Euridice returns to the MET in a new production conceived by George Balanchine that puts the singers in the orchestra pit and dancers portraying them on stage. Anna Kaskas was Orfeo

David Daniels as Orfeo at the Metropolitan (Photo: Annie Leibovitz)

and the performance was on a double-bill with Mascagni's Cavalleria Rusticana. Kerstin Thorborg arrives in 1938 as Orfeo in a new production directed by Herbert Graf with sets by Harry Horner. When brought back in 1939, Erich Leinsdorf takes over conducting duties when Artur Bodanzky passes away and in 1941, Bruno Walter steps into the pit for Maestro duties. In February 1955, a new era began with Risë Stevens taking on the title role under conductor Pierre Monteux. From this point on a series of popular mezzo-sopranos including Grace Bumbry (1970) and Marilyn Horne (1972). The opera disappeared until the current Mark Morris production premiered in 2007 with costumes by Isaac Mizrahi and conducted by James Levine. The performances also marked the MET role debut as Orfeo for David Daniels. The role was put back in the hands of mezzo-soprano Stephanie Blythe when the production was revived in 2009. In addition to countertenor David Daniels, the current run will mark the debut of soprano Kate Royal as Euridice and the Amor of Lisette Oropesa, all under conductor Antony Walker. [Source]

A listening guide through various interpretations of "Che farò senza Euridice" throughout MET history:

Risë Stevens

Grace Bumbry

Marilyn Horne

Royal Wedding Music, Part 2: Who Would Be Available To Sing?

POTENTIAL CANDIDATES FOR ROYAL WEDDING SOLOIST
In a business where professionals are contracted out five years in advance, what singer could possible be free to sing for the royal wedding of Prince William and Catherine Middleton on April 29, 2011? Checking schedules of the top dozen front-runners for the job discloses that some could be a private jet ride away from the event:

Renée Fleming will have completed her last performance of Strauss's Capriccio at the Metropolitan Opera on April 23 and has a Strauss concert of orchestral songs and scenes from Arabella with the Berlin Philharmonic under Christian Thielemann.

Anna Netrebko sings the Pergolesi Stabat Mater on April 28 in Geneva, Switzerland, and again on May 2 in Toulouse, France.

Kate Royal makes her Metropolitan Opera debut the night of April 29 in Orfeo ed Euridice. The second performance of the run is May 4. There are only five performances of the Gluck opera.

Angela Gheorghiu has concerts on April 27 and May 1 at the National Concert Hall in Seoul, Korea.

Marina Poplavskaya is performing The Tsar's Bride of Rimsky-Korsakov at the Royal Opera House in London's Covent Garden during the month of April and her penultimate performance in the run takes place at 7PM on April 29.

Anja Harteros just canceled her appearances at the San Diego Opera as the Marschallin in Strauss's Der Rosenkavalier, but is to appear in that very role on May 4 in Wiesbaden. She will be singing performances of Mimí in La Bohème at the Hamburg State Opera on April 23 & 30.

Cecilia Bartoli makes her way to Down Under for concerts in Australia on March 15 & 18. Then there is nothing in her schedule until a May 5 concert performance with Orchestra La Scintilla in Berlin.

Elīna Garanča the mezzo-soprano is singing the role of Giovanna Seymour in Donizett's Anna Bolena with a last performance at the Wien Staatsoper in Austria on April 17 and the first performance of the same work at the Opernhaus Zürich in Switzerland on May 21.




What about the possibility of a male performing during the ceremony?

Rolando Villazón will be in rehearsals at the Royal Opera House for Massenet's Werther which will have its opening night on May 5.

Plácido Domingo sings a concert with Ana María Martínez in Puerto Rico on April 17 and then will head to Washington, D.C., for Gluck's Iphigénie en Tauride opening on May 6.

Jonas Kaufmann can be found at the Metropolitan Opera in the middle of performing the role of Siegmund in Wagner's Die Walküre. Performance dates bookend the nuptials date: April 28 and May 2.

Bryn Terfel is also at the Metropolitan Opera taking on the role of Wotan with performances scheduled on April 28 and May 2.